Sábado, 9 de mayo de 2026 · 7:00 p.m.
Musica Vitale and Friends. 20th Anniversary Season
St Paul's United Methodist Church, San Diego, CA, USA
WELCOME
Dawn Richards, speaker
Aram KHACHATURIAN
ADAGIO FROM SPARTACUS
Pyotr I. TCHAIKOVSKY
WALTZ FROM SERENADE FOR STRINGS
Kerensa BRIGGS
MEDIA VITA
Jennifer Lucy COOK
TIME
Alfred SCHNITTKE
THREE SACRED HYMNS
- I. BOGORODITSE DEVO
- II. GOSPODI
- III. OTCHE NASH
Francis POULENC
LA BLANCHE NEIGE
Francis POULENC
LA NUIT LE FROID LA SOLITUDE
Francis POULENC
EXALTATE DEO
— Intermedio —
Randall THOMPSON
FROSTIANA
- I. THE ROAD NOT TAKEN
- II. THE PASTURE
- III. COME IN
- IV. THE TELEPHONE
- V. A GIRL'S GARDEN
- VI. STOPPING BY WOODS
- VII. ON A SNOWY EVENING
- VIII. CHOOSE SOMETHING
- IX. LIKE A STAR
TEXT AND TRANSLATIONSVerOcultar
MEDIA VITA
Karensa BRIGGS (b. 1991) · Texto: Antiphona de Morte, att. NOTKER (c.840-912)
Media vita in morte sumus.
In the midst of life we are in death.
Quem quaerimus adjutorem
Whom can we seek as our helper
nisi te, Domine,
but you, o Lord,
qui pro peccatis nostris
who for our sins are
juste irasceris?
justly angry?
Sanctus Deus.
Holy God.
Sancte fortis.
Holy and strong.
Sancte et misericors Salvator,
Holy and merciful Saviour,
amarae morti ne tradas nos.
deliver us not to the bitter pains of death.
TIME
Jennifer Lucy COOK (b. 1988)
Time, you can spend it, when you spend it then you're running out of
Time, you can save it but to save it is to take a little
Time, in a minute, when you're in it, can you feel the passing
Time is an illusion, there's confusion when they tell you now it's
Time to get older, time to work and time to waste and there's no
Time, three two one eleven thirty, two AM, then dinner
Time now to kill, I said I will and still it flies and flies, oh
Time...
THREE SACRED HYMNS
Alfred SCHNITTKE (1934-1998)
I. BOGORODITSE DEVO
I. HAIL MARY
Bogoroditse Dyevo,
Hail to the Holy Virgin, Mother of God,
raduisya,
be joyful,
Blagodatnaya Mariya, Gospod's Toboyu;
o Blessed Mary, God is with Thee;
blagoslovyenna Ty v zhenakh,
blessed art Thou among wives,
i blagoslovyen plod chreva Tvoego,
and blessed is the fruit of Thy womb,
yako Spasa rodila yesi dush nashikh.
for Thou hast Given birth to the Saviour for the sake of our souls.
II. GOSPODI
II. THE JESUS PRAYER
Gospodi, Gospodi lisusye,
O Lord, o Lord Jesus,
Gospodi lisusye Khristye,
O Lord Jesus Christ,
Synye Bozhii, pomilui mya,
Son of God, Have mercy upon me,
pomilui mya greshnago.
have mercy upon me, a sinner.
III. OTCHE NASH
III. OUR FATHER
Otche nash,
Our Father
Izhe yesi na nebesyekh!
Who art in Heaven!
Da svyatitsya imya Tvoye,
Hallowed be Thy name,
da pridet Tsarstviye Tvoye,
for Thy Kingdom come,
da budyet volya Tvoya
Thy will be done
yako na nebesi i na zemli.
on earth as in Heaven.
Khleb nash nasushchnyi
Give us this day
dazhd' nam dnes,
our daily bread,
i ostavi nam dolgi nasha,
and forgive us our trespasses,
yako zhe i my ostavlyayem
as we forgive them
dolzhnikom nashim.
that trespass against us.
I nye vvyedi nas vo iskusheniye,
And lead us not into temptation,
no izbavi nas ot lukavago.
but deliver us from evil.
Yako Tvoye yest' Tsarstvo
For Thine is the Kingdom,
i sila i slava vo vyeki.
the power and the glory forever.
Amin.
Amen.
LA BLANCHE NEIGE
Francis POULENC (1899-1963) · Texto: Guillaume APOLLINAIRE (1880-1918)
Les anges les anges dans le ciel
Angels, angels in the sky.
L'un est vêtu en officier
One is dressed as an officer,
L'un est vêtu en cuisinier
one is dressed as a cook,
Et les autres chantent
and the others are singing.
Bel officier couleur du ciel
Oh handsome sky-coloured officer,
Le doux printemps longtemps
the sweet springtime long after
après Noël
Christmas
Te médaillera d'un beau soleil
will give you a medal:
D'un beau soleil
a beautiful sun.
Le cuisinier plume les oies
The cook is plucking geese.
Ah ! tombe neige
Ah! let the snow fall
Tombe et que n'ai-je
and fall, and if only
Ma bien-aimée entre mes bras
I held my beloved in my arms!
LA NUIT LE FROID LA SOLITUDE
Francis POULENC (1899-1963) · Texto: Paul ELUARD (1895-1952)
La nuit le froid la solitude
The night, the cold, the loneliness
On m'enferma soigneusement
They shut me in tightly
Mais les branches cherchaient
But the branches sought a way
leur voie dans la prison
into my prison
Autour de moi
Around me
l'herbe trouva le ciel
the grass found the sky
On verrouilla le ciel
The sky was locked up,
Ma prison s'écroula
My prison crumbled
Le froid vivant le froid brûlant
The living, burning cold
m'eut bien en main
had me in its clutches
EXULTATE DEO
Francis POULENC (1899-1963) · Texto: Psalm 80 (Latin)
Exultate Deo,
Sing joyfully
adjutori nostro
to God our strength;
Jubilate Deo Jacob.
Rejoice to the God of Jacob.
Sumite psalmum,
Raise a song
et date tympanum
and sound the timbrel,
Psalterium jucundum
the pleasant harp
cum cythara
and the lute;
Buccinate in neomenia tuba
blow the trumpet at the new moon,
Insigni die solemnitatis vestrae.
on our solemn feast day.
FROSTIANA
Randall THOMPSON (1899-1984) · Texto: Robert FROST (1874-1963)
I. THE ROAD NOT TAKEN Two roads diverged in a yellow wood, And sorry could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I -- I took the one less traveled by, And that has made all the difference.
II. THE PASTURE I'm going out to clean the pasture spring; I'll only stop to rake the leaves away (And wait to watch the water clear, I may): I sha'n't be gone long. You come too. I'm going out to fetch the little calf That's standing by the mother. It's so young It totters when she licks it with her tongue. I sha'n't be gone long. You come too.
III. COME IN As I came to the edge of the woods, Thrush music, hark! Now it was dusk outside, Inside it was dark. Too dark in the woods for a bird By sleight of wing To better its perch for the night, Though it could still sing. The last of the light of the sun That had died in the west Still lived for one song more In a thrush's breast. Far in the pillared dark Thrush music went Almost like a call to come in To the dark and lament. But no, I was out for the stars: I would not come in. I meant not even if asked, And I hadn't been.
IV THE TELEPHONE "When I was just as far as I could walk From here to-day, There was an hour All still When leaning with my head against a flower I heard you talk. Dont say I didnt, for I heard you say - You spoke from that flower on the window sill - Do you remember what it was you said?" "First tell me what it was you thought you heard." "Having found the flower and driven a bee away, I leaned my head, And holding by the stalk, I listened and I thought I caught the word - What was it? Did you call me by my name? Or did you say- Someone said 'Come' - I heard it as I bowed." "I may have thought as much, but not aloud." "Well, so I came."
V. A GIRL'S GARDEN A neighbor of mine in the village Likes to tell how one spring When she was a girl on the farm, she did A childlike thing. One day she asked her father To give her a garden plot To plant and tend and reap herself, And he said, "Why not?" In casting about for a corner He thought of an idle bit Of walled-off ground where a shop had stood, And he said, "Just it." And he said, "That ought to make you An ideal one-girl farm, And give you a chance to put some strength On your slim-jim arm." It was not enough of a garden, Her father said, to plough; So she had to work it all by hand, But she don't mind now. She wheeled the dung in the wheelbarrow Along a stretch of road; But she always ran away and left Her not-nice load. And hid from anyone passing. And then she begged the seed. She says she thinks she planted one Of all things but weed. A hill each of potatoes, Radishes, lettuce, peas, Tomatoes, beets, beans, pumpkins, corn, And even fruit trees And yes, she has long mistrusted That a cider apple tree In bearing there to-day is hers, Or at least may be. Her crop was a miscellany When all was said and done, A little bit of everything, A great deal of none. Now when she sees in the village How village things go, Just when it seems to come in right, She says, "I know! It's as when I was a farmer--" Oh, never by way of advice! And she never sins by telling the tale To the same person twice.
VI. STOPPING BY WOODS ON A SNOWY EVENING Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To [watch]i his woods fill up with snow. My little horse must think it queer To stop without a farm-house near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.
VII. CHOOSE SOMETHING LIKE A STAR O Star (the fairest one in sight), We grant your loftiness the right To some obscurity of cloud- It will not do to say of night, Since dark is what brings out your light. Some mystery becomes the proud. But to the wholly taciturn In your reserve is not allowed. Say something to us we can learn By heart and when alone repeat. Say something! And it says, 'I burn. But say with what degree of heat. Talk Fahrenheit, talk Centigrade. Use Language we can comprehend. Tell us what elements you blend. It gives us strangely little aid But does tell something in the end And steadfast as Keats' Eremite, Not even stooping from its sphere, It asks a little of us here. It asks of us a certain height, So when at times the mob is swayed To carry praise or blame too far, We may choose something like a star To stay our minds on and be staid.
Presenta
Musica Vitale
Elena Vizuet, dirección artística
Elena Vizuet
Artistic Director
Soprano
- Rachel Fields
- Mariana Flores Bucio
- Catherine Marshall
- Lisa Parente Kamon
- Seonjeong Park
- Anne Whattoff
Tenor
- Samuel Buse
- Richard Dawes
- Brad Fox
- John Yokoyama
Alto
- Julia Cordani
- Sarah-Nicole Ruddy
- Laurel Styner
- Evangelina Woo
Bass
- Shelby Condray
- Allen Pace
- Michael Sokol
- Nathan Villamor
- Paul Young
Con la participación de
Vox Humana
John Yokoyama and Allen Michael Pace, dirección artística
John Yokoyama
Artistic Director
Allen Michael Pace
Artistic Director
Singers
- Catherine Marshall
- John Yokoyama
- Stephanie Smith
- Samuel Buse
- Antonia Fuenzalida
- Allen Pace
- Chloe O'Mara
- Hunter Rhoades
Nonna Alakhverdova
Dirección artística y violín
Erik Ghukasyan
Violín
Violeta Heredia
Violín
Yanelí Millán
Violín
Karla Alcocer
Violín
Pam Martchev
Flauta (invitada)
Noah Quessenberry
Oboe (invitado)
Ella Heinecke
Clarinete (invitada)
William Propp
Fagot (invitado)
Ronaldo Laztra
Viola
Ricardo Arreola
Viola
Allari Ruiz
Viola
Rubén Ghukasyan
Violoncello
Yolanda Millán
Violoncello
Owen Cruise
Contrabajo (invitado)
Barry Toombs
Corno (invitado)
Stefan Wendel
Arpa (invitado)

