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Archivo de conciertos

Sábado, 9 de mayo de 2026 · 7:00 p.m.

Musica Vitale and Friends. 20th Anniversary Season

St Paul's United Methodist Church, San Diego, CA, USA

Galería de fotos
Programa

WELCOME

Dawn Richards, speaker

1.

Aram KHACHATURIAN

ADAGIO FROM SPARTACUS

2.

Pyotr I. TCHAIKOVSKY

WALTZ FROM SERENADE FOR STRINGS

3.

Kerensa BRIGGS

MEDIA VITA

4.

Jennifer Lucy COOK

TIME

5.

Alfred SCHNITTKE

THREE SACRED HYMNS

  1. I. BOGORODITSE DEVO
  2. II. GOSPODI
  3. III. OTCHE NASH
6.

Francis POULENC

LA BLANCHE NEIGE

7.

Francis POULENC

LA NUIT LE FROID LA SOLITUDE

8.

Francis POULENC

EXALTATE DEO

Intermedio

9.

Randall THOMPSON

FROSTIANA

  1. I. THE ROAD NOT TAKEN
  2. II. THE PASTURE
  3. III. COME IN
  4. IV. THE TELEPHONE
  5. V. A GIRL'S GARDEN
  6. VI. STOPPING BY WOODS
  7. VII. ON A SNOWY EVENING
  8. VIII. CHOOSE SOMETHING
  9. IX. LIKE A STAR
TEXT AND TRANSLATIONSVer

MEDIA VITA

Karensa BRIGGS (b. 1991) · Texto: Antiphona de Morte, att. NOTKER (c.840-912)

Media vita in morte sumus.

In the midst of life we are in death.

Quem quaerimus adjutorem

Whom can we seek as our helper

nisi te, Domine,

but you, o Lord,

qui pro peccatis nostris

who for our sins are

juste irasceris?

justly angry?

Sanctus Deus.

Holy God.

Sancte fortis.

Holy and strong.

Sancte et misericors Salvator,

Holy and merciful Saviour,

amarae morti ne tradas nos.

deliver us not to the bitter pains of death.

TIME

Jennifer Lucy COOK (b. 1988)

Time, you can spend it, when you spend it then you're running out of

Time, you can save it but to save it is to take a little

Time, in a minute, when you're in it, can you feel the passing

Time is an illusion, there's confusion when they tell you now it's

Time to get older, time to work and time to waste and there's no

Time, three two one eleven thirty, two AM, then dinner

Time now to kill, I said I will and still it flies and flies, oh

Time...

THREE SACRED HYMNS

Alfred SCHNITTKE (1934-1998)

I. BOGORODITSE DEVO

I. HAIL MARY

Bogoroditse Dyevo,

Hail to the Holy Virgin, Mother of God,

raduisya,

be joyful,

Blagodatnaya Mariya, Gospod's Toboyu;

o Blessed Mary, God is with Thee;

blagoslovyenna Ty v zhenakh,

blessed art Thou among wives,

i blagoslovyen plod chreva Tvoego,

and blessed is the fruit of Thy womb,

yako Spasa rodila yesi dush nashikh.

for Thou hast Given birth to the Saviour for the sake of our souls.

II. GOSPODI

II. THE JESUS PRAYER

Gospodi, Gospodi lisusye,

O Lord, o Lord Jesus,

Gospodi lisusye Khristye,

O Lord Jesus Christ,

Synye Bozhii, pomilui mya,

Son of God, Have mercy upon me,

pomilui mya greshnago.

have mercy upon me, a sinner.

III. OTCHE NASH

III. OUR FATHER

Otche nash,

Our Father

Izhe yesi na nebesyekh!

Who art in Heaven!

Da svyatitsya imya Tvoye,

Hallowed be Thy name,

da pridet Tsarstviye Tvoye,

for Thy Kingdom come,

da budyet volya Tvoya

Thy will be done

yako na nebesi i na zemli.

on earth as in Heaven.

Khleb nash nasushchnyi

Give us this day

dazhd' nam dnes,

our daily bread,

i ostavi nam dolgi nasha,

and forgive us our trespasses,

yako zhe i my ostavlyayem

as we forgive them

dolzhnikom nashim.

that trespass against us.

I nye vvyedi nas vo iskusheniye,

And lead us not into temptation,

no izbavi nas ot lukavago.

but deliver us from evil.

Yako Tvoye yest' Tsarstvo

For Thine is the Kingdom,

i sila i slava vo vyeki.

the power and the glory forever.

Amin.

Amen.

LA BLANCHE NEIGE

Francis POULENC (1899-1963) · Texto: Guillaume APOLLINAIRE (1880-1918)

Les anges les anges dans le ciel

Angels, angels in the sky.

L'un est vêtu en officier

One is dressed as an officer,

L'un est vêtu en cuisinier

one is dressed as a cook,

Et les autres chantent

and the others are singing.

Bel officier couleur du ciel

Oh handsome sky-coloured officer,

Le doux printemps longtemps

the sweet springtime long after

après Noël

Christmas

Te médaillera d'un beau soleil

will give you a medal:

D'un beau soleil

a beautiful sun.

Le cuisinier plume les oies

The cook is plucking geese.

Ah ! tombe neige

Ah! let the snow fall

Tombe et que n'ai-je

and fall, and if only

Ma bien-aimée entre mes bras

I held my beloved in my arms!

LA NUIT LE FROID LA SOLITUDE

Francis POULENC (1899-1963) · Texto: Paul ELUARD (1895-1952)

La nuit le froid la solitude

The night, the cold, the loneliness

On m'enferma soigneusement

They shut me in tightly

Mais les branches cherchaient

But the branches sought a way

leur voie dans la prison

into my prison

Autour de moi

Around me

l'herbe trouva le ciel

the grass found the sky

On verrouilla le ciel

The sky was locked up,

Ma prison s'écroula

My prison crumbled

Le froid vivant le froid brûlant

The living, burning cold

m'eut bien en main

had me in its clutches

EXULTATE DEO

Francis POULENC (1899-1963) · Texto: Psalm 80 (Latin)

Exultate Deo,

Sing joyfully

adjutori nostro

to God our strength;

Jubilate Deo Jacob.

Rejoice to the God of Jacob.

Sumite psalmum,

Raise a song

et date tympanum

and sound the timbrel,

Psalterium jucundum

the pleasant harp

cum cythara

and the lute;

Buccinate in neomenia tuba

blow the trumpet at the new moon,

Insigni die solemnitatis vestrae.

on our solemn feast day.

FROSTIANA

Randall THOMPSON (1899-1984) · Texto: Robert FROST (1874-1963)

I. THE ROAD NOT TAKEN Two roads diverged in a yellow wood, And sorry could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I -- I took the one less traveled by, And that has made all the difference.

II. THE PASTURE I'm going out to clean the pasture spring; I'll only stop to rake the leaves away (And wait to watch the water clear, I may): I sha'n't be gone long. You come too. I'm going out to fetch the little calf That's standing by the mother. It's so young It totters when she licks it with her tongue. I sha'n't be gone long. You come too.

III. COME IN As I came to the edge of the woods, Thrush music, hark! Now it was dusk outside, Inside it was dark. Too dark in the woods for a bird By sleight of wing To better its perch for the night, Though it could still sing. The last of the light of the sun That had died in the west Still lived for one song more In a thrush's breast. Far in the pillared dark Thrush music went Almost like a call to come in To the dark and lament. But no, I was out for the stars: I would not come in. I meant not even if asked, And I hadn't been.

IV THE TELEPHONE "When I was just as far as I could walk From here to-day, There was an hour All still When leaning with my head against a flower I heard you talk. Dont say I didnt, for I heard you say - You spoke from that flower on the window sill - Do you remember what it was you said?" "First tell me what it was you thought you heard." "Having found the flower and driven a bee away, I leaned my head, And holding by the stalk, I listened and I thought I caught the word - What was it? Did you call me by my name? Or did you say- Someone said 'Come' - I heard it as I bowed." "I may have thought as much, but not aloud." "Well, so I came."

V. A GIRL'S GARDEN A neighbor of mine in the village Likes to tell how one spring When she was a girl on the farm, she did A childlike thing. One day she asked her father To give her a garden plot To plant and tend and reap herself, And he said, "Why not?" In casting about for a corner He thought of an idle bit Of walled-off ground where a shop had stood, And he said, "Just it." And he said, "That ought to make you An ideal one-girl farm, And give you a chance to put some strength On your slim-jim arm." It was not enough of a garden, Her father said, to plough; So she had to work it all by hand, But she don't mind now. She wheeled the dung in the wheelbarrow Along a stretch of road; But she always ran away and left Her not-nice load. And hid from anyone passing. And then she begged the seed. She says she thinks she planted one Of all things but weed. A hill each of potatoes, Radishes, lettuce, peas, Tomatoes, beets, beans, pumpkins, corn, And even fruit trees And yes, she has long mistrusted That a cider apple tree In bearing there to-day is hers, Or at least may be. Her crop was a miscellany When all was said and done, A little bit of everything, A great deal of none. Now when she sees in the village How village things go, Just when it seems to come in right, She says, "I know! It's as when I was a farmer--" Oh, never by way of advice! And she never sins by telling the tale To the same person twice.

VI. STOPPING BY WOODS ON A SNOWY EVENING Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To [watch]i his woods fill up with snow. My little horse must think it queer To stop without a farm-house near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

VII. CHOOSE SOMETHING LIKE A STAR O Star (the fairest one in sight), We grant your loftiness the right To some obscurity of cloud- It will not do to say of night, Since dark is what brings out your light. Some mystery becomes the proud. But to the wholly taciturn In your reserve is not allowed. Say something to us we can learn By heart and when alone repeat. Say something! And it says, 'I burn. But say with what degree of heat. Talk Fahrenheit, talk Centigrade. Use Language we can comprehend. Tell us what elements you blend. It gives us strangely little aid But does tell something in the end And steadfast as Keats' Eremite, Not even stooping from its sphere, It asks a little of us here. It asks of us a certain height, So when at times the mob is swayed To carry praise or blame too far, We may choose something like a star To stay our minds on and be staid.

Ver el programa del concierto (PDF)

Agrupaciones

Presenta

Musica Vitale

Elena Vizuet, dirección artística

Elena Vizuet

Artistic Director

Founded and directed by Elena Vizuet, is one of the artistic gems of Coronado and the San Diego region. The organization's mission is explicit in its name: to "bring to life" unheard or underappreciated vocal music from around the world. The professional choir was established in 2005, originally to raise funds for victims of Hurricane Katrina; its core membership is comprised of singers from San Diego Opera and other vocal soloists from the San Diego-Tijuana region.

Soprano

  • Rachel Fields
  • Mariana Flores Bucio
  • Catherine Marshall
  • Lisa Parente Kamon
  • Seonjeong Park
  • Anne Whattoff

Tenor

  • Samuel Buse
  • Richard Dawes
  • Brad Fox
  • John Yokoyama

Alto

  • Julia Cordani
  • Sarah-Nicole Ruddy
  • Laurel Styner
  • Evangelina Woo

Bass

  • Shelby Condray
  • Allen Pace
  • Michael Sokol
  • Nathan Villamor
  • Paul Young

Con la participación de

Vox Humana

John Yokoyama and Allen Michael Pace, dirección artística

John Yokoyama

Artistic Director

Allen Michael Pace

Artistic Director

Eight-voice ensemble formed in 2025, made up primarily of friends who met while studying at San Diego State University. What began as a shared love of singing quickly grew into a dedicated collaborative group. Since its founding, one member has gone on to pursue early music studies at McGill University, reflecting the ensemble's continued connection to both scholarship and performance. At its core, Vox Humana remains a group of friends brought together by a genuine joy in making music with one another.

Singers

  • Catherine Marshall
  • John Yokoyama
  • Stephanie Smith
  • Samuel Buse
  • Antonia Fuenzalida
  • Allen Pace
  • Chloe O'Mara
  • Hunter Rhoades
Integrantes en este concierto

Nonna Alakhverdova

Dirección artística y violín

Erik Ghukasyan

Violín

Violeta Heredia

Violín

Yanelí Millán

Violín

Karla Alcocer

Violín

Pam Martchev

Flauta (invitada)

Noah Quessenberry

Oboe (invitado)

Ella Heinecke

Clarinete (invitada)

William Propp

Fagot (invitado)

Ronaldo Laztra

Viola

Ricardo Arreola

Viola

Allari Ruiz

Viola

Rubén Ghukasyan

Violoncello

Yolanda Millán

Violoncello

Owen Cruise

Contrabajo (invitado)

Barry Toombs

Corno (invitado)

Stefan Wendel

Arpa (invitado)